Specifically, the Pro Soloist’s touch sensor controls enabled pitch bend, wow, growl, brilliance, volume, and vibrato. Most impressive was the introduction of an innovative “touch sensor” keyboard (now commonly known as aftertouch), where pressing harder after playing a note introduces changes to the sound, allowing highly expressive playing. In 1972, ARP followed it up with the Pro Soloist, updating the analog preset control with revolutionary digital read-only memory chips (which improved tuning stability) and expanding the preset selection to 30. ARP led the charge in 1970 with the Soloist, the first commercial preset synthesizer, featuring 18 presets and basic controls. To avert potential user intimidation and bring synthesis to the masses, manufacturers introduced simple monophonic preset synths that were intended to sit atop an organ. At the beginning of the 70s, analog synthesizers were just making their way into the hands of working musicians, and their operation was still a mystery to most folks outside of a college music lab.
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